The loose narrative of our music video is just a day in the life of Isla with her friends. We will cut between scenes of Isla and her friends on a day out London, specifically focusing on Isla documenting this through a polaroid camera, and a scene of Isla singing/performing the song with the polaroids she has taken around her.
In order to link back to Goodwin's analysis, we first specified what lyrics we would like to pair with an actual shot of Isla singing -- these shots will be close-ups to market her as a commodity.
The music video will start with some shots of London but mostly of Isla singing, until the line "Mighty youth, here and now" where the beat picks up and the chorus starts. This is where we will cut to a different location of Isla and her friends, singing together and laughting. We felt this reflected the lyrics -- "youth knows no pain".
For the second verse, we felt pairing the line "join the parade" with a long shot of the group of friends would link to Goodwin's analysis and make sense. We already planned to have some shots of somebody playing a drum to link in with the beats but felt the lyric where she specifically mentions "beats" would be a good place in the video to do so. We also debated to take some of the lyrics literally, e.g "the wind in my hair" line.
We have decided that, as the chorus is most lively, that's where the most needs to happen in the music video. To communicate this carefree, fun attitude of Isla and her friends, we were thinking of a sequence of them in an arcade -- specifically on bumper cards -- whilst still cutting between that and shots of Isla singing.
As polaroids will be a re-occuring prop in our music video, we thought it would be cool to bring in almost freezeframes or slowed down footage into the music video to give the effect that photos are actually being taken. The repeated lines "I said youth don't know/Youth knows no pain" have a different, more frequent beat to the rest of the song and so we think this might be the best place to do it. When you listen to this part in this song, it's also more lively so I think it's also going to be important to have an element of performance in here.
To link in with Goodwin's analysis, we also want to bring in a shot of Isla looking/singing into the mirror at some point -- as a reference to the notion of looking. The last shot will be of both Isla and her friends, still dancing and laughing, to get across this carefree attitude of "youth knowing no pain", but we want this shot to linger a few seconds after the song had ended as we have seen this in other music videos and liked it.











































